CV
(descriptive)
Bernd Krauß earned his Diplom (MA) in Applied Cultural Science
and Practical Aesthetics from the University of Hildesheim in 1996. Recent
exhibitions include his participation in Bomassan
by Konsthall C and Gaudiopolis at GfZK, Leipzig, the solo show Post-Solar at Shimmer/Rotterdam and Leif PG Tensta at Tensta Konsthall (all
in 2018); the exhibition BKMAXXX at Peach Rotterdam, BALLOON ME! at Pracownia Portretu in Łódź,
Poland and PPT (=Profane Pilgrim Tour) for Kunstverein Hildesheim. Recent solo exhibitions include T.U.N.
(alpine) at the Contemporary Art Museum as part of Gwangju Biennale, the
retrospective, ‘Das ist heute möglich’, at the Koelnische Kunstverein, Cologne
in 2012, and ‘We Continue BBDG’ opened at the Tensta Konsthall in Sweden in
2013. In addition to participating in and instigating numerous solo, group
exhibitions and collaborative projects, Krauß produced performative work since 1999
together with the collaborative Theater
Societät and has presented
them at Whitechapel Gallery, Performa 2009, the Stockholm Festival of Music and
Arts. He is represented in 40 Jahre
Deutsche Videokunst that the Goethe Institute has created 2004 in
collaboration with major German museums and has produced video work for ARTE-TV
Germany (2011). He has been the recipient of a number of grants and
residencies, including at Bard College, NY; IASPIS, Stockholm; Künstlerhäuser Worpswede
& Balmoral and CIAP Vassiviere/France.
Krauß is editor-in-chief of his
daily publication Der Riecher (http://riecher.blogspot.nl/) since 1999. He recently produced
and published: Allrasista Veckans Brott
forTensta Konsthall (2018); other publications of note include P.P.T.
Profan Piger Tour Kunstverein Hildesheim (2016), R-Damn Piet Zwart
Institute (2015), Für die hinterm Vorhang leben. Grazer
Kunstverein/Revolver (2007); Production
as Process (Carey Young and Bernd Krauß), Curator: Maria Lind,
Academy of Fine Arts, Umea (2009).
See http://berndkrauss.blogspot.nl/.
Subscribe to:
Posts (Atom)